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Courtroom Technology: Lessons to be Learned from Hollywood (Continued)
by Rick Kraemer & Naomi Musnicki
(originally appeared as an article in The Advocate, May 2000)

Technology and the Jury

Technology and visuals in the courtroom are essential because of the way jurors now perceive the legal system and how they have come to absorb information. Through televised events such as the O.J. Simpson trial and countless "real life" courtroom and legal programs like "Court TV," jurors have come to expect well-produced professional presentations–the kind they see weekly on their favorite television stations.

We have become a visual society. Jurors, like the rest of us, process the information they receive primarily through sight. With visual electronic information sources (i.e., the Internet, television) dominating our daily lives, the need for visual presentations in court is becoming even greater.

Technology and Graphic Use Throughout Trial

Using multimedia technology during the case-in-chief portion of trial allows jurors to view and follow supporting documents while the lawyers present their case. Lawyers should consider mixing the video presentation with static charts and graphs to keep the jurors’ interest level high. During opening statements, however, simple trial boards can have a stronger effect. The "special effects" of a multimedia presentation can be dazzling but overwhelming at the outset of trial. The message can be easily lost and eventually doCallout Box more harm than good. Unlike computer-generated information that disappears as soon as the computer screen is turned off, static charts, graphs and timelines can remain on display in front of the jury for as long as the judge allows. The same holds true during closing. Simple boards that highlight the strongest points in the case can be much more memorable at closing than a video presentation.

With so many presentation tools and options at the trial attorney’s disposal, it is easy to see how trial preparation can become overwhelming. It doesn’t have to be that way. Trial attorneys, much like directors on a movie set, should focus on the big picture and oversee the action, not try to micro manage the computer-generated presentations. Finding competent, experienced technicians and artists will take a tremendous burden off the attorney’s shoulders and allow full concentration on preparing for trial.

No matter how much sophisticated equipment is used during trial, ultimately the only issue that matters is how the story plays before the audience (in this case, the judge and jury). As with a movie director, the success or failure of the presentation rests with the lead attorney. The tens of millions of dollars that were spent on computer special effects on "Titanic" were used effectively in the context of the human tragedy that unfolded on screen. The millions of dollars for special effects spent on the lifeless "Waterworld" was money down the drain. Lawyers must remember that human interest stories are what keep the jurors’ attention and a slick media presentation won’t mask a weak case.

One thing is certain: we can never go back to the days when jurors were satisfied with receiving information through only verbal communication, just as we can never go back to black and white television sets and 286 PCs. Regardless of how sophisticated the presentation techniques, jurors must still feel that the lawyers have provided them with impartial information that will allow them to render a decision.

Rick Kraemer founded Executive Presentations in 1986. He holds a Master's Degree in Business and Economics.

Naomi Jayne Musnicki is a graphic artist at Executive Presentations and has worked in litigation design and consulting for over five years, holding degrees in both computer graphics and history.





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